James Franco has heard all of the jokes about him. He has a lot of interests — including directing movies based on books by authors like Steinbeck, Faulkner, and McCarthy. He gets it, but he doesn’t really care. The Deuce is proof of that.
When you hear about how much work Franco did on the new HBO drama, it almost sounds like a parody of his multitasking. Not only does the actor play one of the central figures of the ’70s-era ensemble, the Times Square bartender Vincent, he also plays Vincent’s twin brother, Frankie.
And that’s to say nothing of his directing duties. Franco directed two episodes in the eight-episode first season, and EW was on the set during the filming of one of them.
“They thought it was impossible, not only to direct yourself as an actor, but to direct yourself as twins,” Franco said over the phone weeks after our visit. “It’s insane. But when you saw me, I was at the height of my multitasking. I sort of felt like this was things going the normal course, like, ‘Of course, I’ll direct myself as twins.’ Now that I look back, I do think it was pretty crazy.”
And coming from Franco, that’s saying something.
Filming a scene with both Vincent and Frankie in the frame is difficult enough. Those scenes would typically start with Franco as Vincent. The hair and makeup on the twins are subtly different but distinctive enough to necessitate a break for the switch. Production would run through the scene with Franco doing Vincent opposite a double playing Frankie.
Franco, a fan of improvising, would have his brain working overtime during those scenes, thinking ahead to his Frankie time. “Normally, when I’m working with Seth Rogen and we improvise, you just improvise,” Franco said. “You throw out the line, but I wasn’t playing Frankie at that moment. In order to make the space in the performance so that I could respond as Vincent, I would have to then tell Will [his double] to try this line. It was weird.”
Once the production felt satisfied with the Vincent side, Franco would head to the makeup chair to become Frankie, and his double would change clothes. It’s usually during this downtime when the crew would capture plates — or empty frames, free of actors, that replicate the camera movements for visual effects to build off of in post. Once everyone was out of makeup, they’d redo the scene incorporating the improv they liked from the Vincent takes.
From there, it’s just a matter of some VFX wizardry in post-production, combining the two Franco takes the showrunners like best. The effect, historically achieved through a split screen, might be one of the oldest in visual storytelling, but it still has the ability to feel like magic.
Or this is all a ruse, and Franco invented a time turner, which frankly wouldn’t surprise us that much.