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November 07, 2018 at 07:02 PM EST

In order to distract from Frank’s diary, Claire makes a move straight out of Frank’s playbook by constructing a bogus terrorist threat. She’s informed of vague rumors about ICO trying to buy a weapon in Pakistan, and decides to exaggerate that intel into a full-blown nuclear panic. She takes the information public and does so to look tough on terror like her husband. Then she gets into it with Russian President Viktor Petrov, arguing over who has certain control in Pakistan and the credibility of the intel. Claire even threatens to drop a nuclear bomb to stop the supposed sale of the weapon.

These scenes are played with the utmost tension and seriousness, but it’s all rather meaningless in the grand scheme of things. Consider how much time this episode spends trying to touch on the various character arcs it began this season, and how little it manages to do with them. For instance, the story of Annette and Bill’s relationship, and how they’ve grown apart from each other as Bill gets sicker, never goes anywhere. Bill doesn’t die, and there’s no final resolution when it comes to the Shepherds and their feud with Claire. Plus there’s Seth, who has no story, and Janine, who just promises to keep digging. It all goes nowhere.

The closest we get to any sort of narrative resolution, at least when it comes to the Shepherds, is when Annette meets with Claire and asks to work together. “It’s not too late for us,” she says, playing up the idea that they’re both women, so they should have each other’s backs. This is after Annette orchestrated an assassination attempt and tried to kill Claire’s baby, so Claire’s decision to decline the offer isn’t surprising.

In fact, there’s very little about the series finale that’s surprising. The narrative beats here have been laid out for a long time, and we’ve mostly just been waiting for everything to finally happen. The one shock, to a certain extent, comes in the episode’s final scene, a lengthy one where Doug and Claire meet in the Oval Office alone. We know this is the moment the Shepherds wanted, and Robin Wright, who directed the episode, does a good job of using the camera to set the tense mood. But, as the scene unfolds, it’s clear that the show doesn’t have much left to say.

As Doug and Claire trade exposition, Doug admits that he was the one who killed Frank. Apparently, Frank showed up at the residence, drunk and ready to kill Claire, so Doug killed him first. Not because he wanted to save Claire, but because he didn’t want Frank to ruin, you guessed it, his legacy. This “shocking reveal” kind of sums up the problems with this season. There’s no real storytelling here, no real stakes. Instead, we’re just waiting around to see who will be the last one standing, which isn’t all that compelling. Claire is the one who lasts until the end though, killing Doug and finally ridding herself of all the loose ends.

It’s a whimper, not a bang, of a final scene. Ending on Claire killing Doug, saying, “There, no more pain,” and then looking villainously into the camera is so very House of Cards. The tone, delivery, and direction of the scene suggest something shocking and substantial, but there’s not much there underneath. So what if Claire killed Doug? Why should we care? This season didn’t give us a reason to care, instead running out the clock and asking us to be satisfied with guessing who might survive until the end.

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Ballots, betrayal, and barbecue combine in Netflix’s original drama, which stars Kevin Spacey as cunning congressman Frank Underwood and Robin Wright as his equally ruthless Lady Macbeth. Based on a 1990 BBC serial of the same name.
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