20 must-read books coming out in March
Infinite Country, by Patricia Engel
Itās a tragedy to waste any space that could be dedicated to this book by mentioning American Dirt, but for the sake of radical honesty: This is the book you should read if youāre considering reading American Dirt (or to make up for it if you did read it). Elena and Mauro fall in love as teenagers in a guerrilla-controlled BogotĆ” and eventually make their way to Texas, where a series of small decisions and non-decisions lead them to overstay their visas. Mauro is eventually sent back to Colombia with their oldest daughter, and the book traces each family memberās separate lives as they try to make their way back to each other. (March 2)
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The Smash-Up, by Ali Benjamin
The Trump administration may be over, but literatureās reactionary boom is still going strong ā weāre going to be processing those four years for a long time, and authors are no different. Ali Benjaminās adult debut is told by Ethan, who moved to the Berkshires with his wife so they could raise their daughter away from the financial and spacial constraints of Brooklyn, and itās there that his wife, Zoās, protest fire is lit. She heads up a gang of nasty women, as it were, and becomes increasingly obsessed by the the violence of DJT and his brethren, so much so that it threatens the very fabric of her family. (March 2)
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Klara and the Sun, by Kazuo Ishiguro
The Ishiguro of Never Let Me Go is back with a sci-fi-adjacent tale of an Artificial Friend (read: nearly sentient robot) named Klara, who is sent to live with a family and be a companion to a preteen girl. Klara narrates the world she encounters through her own very specific lens: a combination of the innocence of a toddler and the heightened intelligence and sensitivity of a mature adult. (March 2)
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The Committed, by Viet Thanh Nguyen
Four years after his Pulitzer-winning The Sympathizer, Nguyen returns with a sequel. This time, the unnamed double agent and his companion Bon find refuge in Paris, where they immerse themselves in French culture and also get dragged into the drug trade. The narrative web of these novels is not for the faint of heart, but those who dare to enter will be rewarded. (March 2)
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Lightseekers, by Femi Kayode
This mystery novel is set in Nigeria, where an investigative psychologist is sent to Port Harcourt to search for answers after three university students are tortured and murdered. (March 2)
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Who Is Maud Dixon?, by Alexandra Andrews
The debut novel everyone will be talking about this spring is a twisty, spicy tĆŖte-Ć -tĆŖte that pits two very determined women against each other ā but in a good way. Florence is a young aspiring novelist who gets a gig as a personal assistant to the reclusive, best-selling author Maud Dixon (whose real name is Helen). As she gets wrapped up in Helenās web, Florence realizes that her path to fame is far more sinister than she thought. (March 2)
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Yolk, by Mary H.K. Choi
The third novel from YA author Choi (Permanent Record) sneaks up on you with its insight and poignancy. When Jayneās estranged sister, June, gets a dreaded diagnosis, the girls realize how desperately theyāve always needed each other. Though college-age Jayneās often funny narration vacillates credibly between the conviction that she knows it all and terror that the world is beyond her grasp, her frequent pop culture references and odes to New York can grow tiresome and distracting. But when Choi focuses on her deeply human characters and their complex bonds, the sistersā tale is undeniable. (March 2) āMary Sollosi
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In the Quick, by Kate Hope Day
Itās the female astronaut novel we never knew we needed. Protagonist June, an engineer on a space station, is haunted by the decades-past disappearance of a spacecraft (and its crew) that was using fuel cells invented by her late uncle. She goes in search of his former protĆ©gĆ© in hopes they can work together to uncover what went wrong and bring the shipās crew back home. (March 2)
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What's Mine and Yours, by Naima Coster
A wholly different kind of family novel, Coster's second book uses the integration of a North Carolina high school to explore the years-long chain of events set off when a Black and a white student meet. (March 2)
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The Scapegoat, by Sara Davis
Ottessa Moshfegh kicked off a wave of brisk, occasionally confusing novels that involve themselves with a narratorās descent into obsession, and Davisā debut offers a worthy entrĆ©e into the genre. N works at a university in the Bay Area and recently lost his estranged father when he is visited by a few mysterious strangers who suggest there may be foul play afoot. But N lives in near isolation, and his version of events is unreliable, to say the least. You may not know whatās happening for most of the book, but you will be very, very intrigued. (March 2)
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How Beautiful We Were, by Imbolo Mbue
At long last, Mbueās sophomore novel arrives. While the thoughtful character-building of Behold the Dreamers remains, Beautifulās narrative scope is far more ambitious. A village in an unnamed African country is taken over by an oil company, and the children begin getting sick and dying en masse. Told through the eyes of those who live, it sweeps through decades of the villageās attempt to banish the oil company, to claim their rightful profits, to find any sort of recourse for the white men behaving badly. (March 9)
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Acts of Desperation, by Megan Nolan
Comparing Irish debut novels to Sally Rooney is already a tired trope, but for better or worse itās a very good way to get the readerās attention. Desperation is a relationship story, told from the perspective of an unnamed twenty-something girl who falls hard and fast for Ciaran, a beautiful (but damaged) man she meets at a gallery. Their ups and downs may be more extreme than the more staid couplings, but weād all be lying to ourselves if we said we donāt recognize the mania of love in its pages. (March 9)
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The Girls Are All So Nice Here, by Laurie Elizabeth Flynn
A college reunion. A toxic friend group. Revenge. All the makings of a page-turner are here in Flynnās book, which kicks off when Ambrosia Wellington receives an invitation to her collegeās 10-Year with the (unsigned, of course) note āWe need to talk about what we did that night.ā (March 9)
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The Arsonists' City, by Hala Alyan
The Arsonistsā City ā about three generations of the Nasr family ā feels revolutionary in its freshness. Mazna Nasr, the novelās matriarch, grew up in Damascus. She meets Idris, a Beiruti med student, during the early days of the Lebanese civil war, and they marry and seek asylum in California; decades later they reconvene their adult children in present-day Beirut and prepare to sell their ancestral home. The book has all the elements we expect from a family saga, but set against the backdrop of Lebanonās long, sad history, the narrative stakes are so much higher. (March 9)
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Firekeeper's Daughter, by Angeline Boulley
A YA thriller set on an Ojibwe reservation, Firekeeper follows 18-year-old Daunis after she witnesses a murder and agrees to go undercover to help the FBI track down a new drug that is ripping through Native communities. (March 16)
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This Is the Fire, by Don Lemon
The CNN host begins by penning a letter to his nephew in this combination reported book and essay collection about the United States' history of racism, Lemon's experience interviewing politicians and activists, and his own familyās painful history of slavery. (March 16)
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My Friend Natalia, by Laura Lindstedt
This provocative Finnish author enters the fray of American literature (thanks to translation from David Hackston) with a racy, wonderfully weird novel about a therapist's sessions with a sex-obsessed woman. (March 23)
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When Women Invented Television, by Jennifer Keishin Armstong
The journalist, who has published books on Seinfeld and Sex and the City, writes about four women who changed the way we watch TV thanks to their innovation, perseverance, and willingness to harness personal strife and use it to create. (March 23)
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Of Women and Salt, by Gabriela Garcia
The multigenerational family saga goes to Miami with Garciaās exciting, poignant debut. It begins in the cigar factories of 19th-century Cuba, following members of one family as they make their way to America, where they find new opportunities but are also directly exposed to the brutality of a very flawed immigration system. (March 30)
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The Final Revival of Opal and Nev, by Dawnie Walton
An ebony-skinned girl from Detroit and a flame-haired British folkie come together in the New York music scene of the early 1970s; after two cult albums and a sudden tragedy, their brief moment fades ā until a journalist with a deeply personal connection to their past decides to revisit the story. Like Taylor Jenkins Reidās enormously popular Daisy Jones & the Six, Dawnie Waltonās debut novel uses oral history as the form for her kaleidoscopic tale, though she can hardly be contained by it. The book bursts with fourth-wall breaks and clear-eyed takes on race, sex, and creativity that Walton (a former EW staffer) unfurls in urgent, endlessly readable style. (March 30) āLeah Greenblatt
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Getting Back Up by Harma Hartouni
Hartouni, a prominent real estate entrepreneur, tells his (occasionally shocking) life story of surviving a fatal mountainside car accident, overcoming abuse and sexual assault, and eschewing the traditional life in Iran his family hoped him to have in favor of moving to Los Angeles to live as a proud gay man. (March 9)