Lady in the Lake balances psychological thrills with classic noir in its tale of aspiring reporter Maddie Schwartz, who begins investigating the murder of Cleo, a forgotten young woman. Set in 1966 Baltimore, the novel traces its protagonist’s journey as she lands a job at a newspaper and digs deeper into the case, only to be entangled in a complex web of American race relations. Soon people who used to be on the periphery of her life move to the fore, and the life of the man who shares her bed, a black police officer, is put in jeopardy. And Cleo’s ghost, in Lippman’s rendering, is privy to it all.
Over the course of her decorated career, Lippman has been nominated for more than 50 awards and won several, including the prestigious Edgar. And she seems to only be getting better. EW can exclusively reveal the cover for Lady in the Lake, as well as a juicy first excerpt. Read on below. The novel publishes July 23 and is available for pre-order.
Excerpt from Lady in the Lake, by Laura Lippman
I saw you once. I saw you and you noticed me because you caught me looking at you, seeing you. Back and forth, back and forth. Good-looking women do that. Lock eyes, then look one another up and down. I could tell at a glance you’ve never doubted you’re good-looking and you still had the habit of checking a room to make sure you’re the best-looking. You scanned the crowd of people on the sidewalk and your eyes caught mine, if only for a moment, then dropped away. You saw me, you tallied up the points. Who won? My hunch is that you gave yourself the crown because you saw a Negro woman, a poor one at that. In the animal kingdom, the male performs for the woman, woos her with his beautiful feathers or flowing mane, is always trying out-strut the other men. Why do humans do it the other way? It doesn’t make sense. Men need us more than we need them.
You were in the minority that day, you were in our neighborhood and almost everyone else there would have picked me. Younger, taller, shapelier me. Maybe even your husband, Milton. Part of the reason I first noticed you was because you were next to him. He now looked exactly like his father, a man I remembered with some affection. I can’t say the same about Milton. I guessed, from the way people gathered around him on the temple steps, patted his back, clasped his hands in theirs, that it must be his father who had died. And I could tell from the way that people waited to comfort him that Milton was a big shot.
The temple was a block from the park. The park and the lake and the fountain. Isn’t that interesting? I was probably taking a round-about way Druid Hill that afternoon, a book in my purse. Not that I liked the outdoors that much, but there were eight people—my father and mother, my sister and two brothers, my two boys and me—living in our apartment and there was never a moment’s peace, to use my father’s phrase. I would slip a book into my purse—Jean Plaidy or Victoria Holt—and say, “I’m going to the library,” and Mama didn’t have the heart to say no. She never faulted me for picking two good-for-nothing men and turning up back home like a bad penny. I was her first and I was her favorite. But not so favored that I could get away with a third mistake. Mama was on me to go back to school, become a nurse. A nurse. I couldn’t imagine taking a job where you had to touch people you didn’t want to touch.
When things got too much at home, when there were too many bodies and voices, I’d go to the park and walk the paths, drink up the silence, drop to a bench and lose myself in the olden days of England. Later, people said I was a terrible person, moving out on my own, leaving my babies behind with their grandparents, but I was thinking of them. I needed a man, and not just any old man. My boys’ fathers had proved that much to me. I had to find the kind of man who would provide for us, all of us. To do that, I needed to be on my own for a little while, even if it meant living with my friend Latetia, who basically ran a one-woman school on how to get men to pay for everything. My mama believed that when you put the cheese out for the mouse, you have to make it look at least a little appetizing. Cut the mold off or place it in the trap so the mold is on the side that doesn’t show. I had to look good and I had to look as if I didn’t have a care in the world, and I couldn’t manage that in my family’s crowded apartment on Auchentoroly Terrace.
OK, so maybe I could imagine taking a job where you had to touch people you didn’t want to touch.
But what woman doesn’t do that? You did it yourself, I’m guessing, when you married Milton Schwartz. Because no one could fall in fairy-tale love with the Milton Schwartz I once knew.
It was—I can remember if I figure out how old my babies were—1964, late fall, the faintest chill in the air. You had a plain black pillbox hat, no veil. I bet people told you that you looked like Jackie Kennedy. I bet you liked it, even as you denied it with a “who me” laugh. The wind ruffled your hair, but only a little; you had that ‘do shellacked. You wore a black coat with fur at the throat and cuffs. Believe me, I remember that coat. And, boy, Milton looked so much like his father and it was only then that I realized that old Mr. Schwartz had been kinda young and kinda handsome when I was a kid. When I was a little girl, buying candy in his store, I thought he was old. He wasn’t even forty. Now I was 26 and Milton had to be almost 40 and there you were next to him, and I could not get over what a fine woman he had gotten for himself. Maybe he was nicer now, I thought. People change, they do, they do. I did. It’s just that no one will ever know.
What did you see? I can’t remember what I was wearing, but I can guess. A coat, too thin even for that mild day. Probably came from a church box, so it was pilled and limp, saggy at the hem. Scuffed shoes, rundown heels. Your shoes were black and shiny. My legs were bare. You had the kind of stockings that almost shimmered.
Looking at you, I saw the trick to it: to get a man with a money, I would need to look as if I didn’t need money. I was going to have to find a job in a place where the tips came in folding money, not change thrown on the table. Problem was, those kind of places didn’t hire Negroes, not as waitresses. The one time I got a restaurant gig, I was a dishwasher, stuck in the back, cut off from the tips. The best restaurants didn’t hire women to wait tables even if they were white.
I was going to have to be creative, find a job somewhere that I could meet the kind of men who bought a girl things, which would make me more desirable to the men who played for bigger stakes, allow me to trade up and up and up. I knew what that meant, what I would have to exchange for those things. I wasn’t a girl, anymore. I had two sons to prove it.
So when you saw me—and you did, I’m sure of it, our eyes caught, held one another’s—you saw my ratty clothes, but you also saw my green eyes, my straight nose. The face that gave me my nickname, although later I would meet a man who said I reminded him of a duchess, not an empress, that I should be called Helen. He said it was because I was beautiful enough to start a war. And didn’t I just? I don’t know what else you would call it. Maybe not a big war, but a war all the same, in which men turned on one another, allies became enemies. All because of me.
In a flash, you showed me where I wanted to go and how to get there. I had one more chance. One more man.
I did not imagine that day that our paths would ever cross again, small as Baltimore can be. You were just the woman who married the nasty teenager who used to torment me and now the nasty boy was a nice-looking man who was burying his father. I need a husband like that, I thought. Not a white man, of course, but a man who could buy me a coat with fur at the neck and the cuffs, a man who would command everyone’s respect. A woman is only as good as the man at her side. My father would have slapped me if he heard such words come out of my mouth, make me find and memorize all the Bible verses about vanity and pride. But it wasn’t vanity on my part. I needed a man to help care for my boys. A well-to-do man needs a beautiful woman. That’s what I figured out that day. You were there to comfort Milton, to help him bury his father, but you were also an advertisement for his work and success. I can’t believe you left him a year later, but death has a way of changing people.
God knows, my death has changed me.
Alive, I was Cleo Sherwood. Dead, I became the Lady in the Lake, a nasty broken thing, dragged from the fountain after steeping there for months, through the cold winter, then that fitful, bratty spring, almost into summer proper. Face gone, much of my flesh gone.
And no one cared until you came along, gave me that stupid nickname, began rattling doorknobs and pestering people, going places you weren’t supposed to go. No one outside my family was supposed to care. I was a careless girl who went out on a date with the wrong person and was never seen again. You came in at the end of my story and turned it into your beginning. Why’d you have to go and do that, Madeline Schwartz? Why couldn’t you stay in your beautiful house and your good-enough marriage, and let me stay at the bottom of the fountain? I was safe there.
Everybody was safer when I was there.
Excerpted from: LADY IN THE LAKE, by Laura Lippman by arrangements with William Morrow, an imprint of HarperCollins Publishers. Copyright © 2019.