Jim Parsons, Julia Roberts, ...
Credit: CLIFF WATTS for EW

It’s taken 30 years for Larry Kramer’s incendiary play The Normal Heart to make it to the screen. Heart, which premiered in 1985 and had a 2011 Tony-­winning revival on Broadway, is one of the first literary works to tackle the AIDS crisis and boldly criticize the lack of government ­support to fight the disease. In this week’s EW cover story, the cast and crew talk about the challenges of bringing Heart to life, the transformative production, and their hopes for the film’s legacy.

Despite involvement from names like Barbra Streisand, who owned the rights for 10 years, The Normal Heart appeared to be destined for only theater until Glee co-creator Ryan Murphy acquired the rights in 2009 with his own money. “I really believed in it,” explains Murphy, who first read the play in college and directed the film version. “Larry set a very high price. I gulped and said, ‘Okay,’ and bought it. I think he wanted to see, ‘Is this kid serious?’ And I was.” Kramer, who’s HIV-positive and currently recovering from unrelated medical complications, was unable to speak to EW but emailed that Heart made it to the screen “because of Ryan Murphy caring passionately about getting it made, abetted by [exec producer] Dante Di Loreto.”

Murphy and Kramer’s passion project will finally reach a mass audience when Heart makes its debut May 25 on HBO. It tells the heartbreaking story of writer Ned Weeks (Mark Ruffalo), the onscreen version of Kramer, who finds his boyfriend Felix (Matt Bomer) and his community hit by a then-unknown disease that’s later known as AIDS. Assisted by Emma (Julia Roberts), a doctor disabled by polio, and a makeshift group of activists, including Taylor Kitsch’s Bruce and Jim Parsons’ Tommy, Ned launches an anger-fueled crusade to alert the world to the growing epidemic. “It’s such a rich, important, cool part of American culture,” says Ruffalo. “It’s as cool as the hippies; it’s as cool as the civil rights movement. It has its heroes. It has its f—ing drama.”

It’s also the most mature and emotionally resonant project from Murphy, best known for his more audacious TV series, like American Horror Story. It’s representative of a more mature personal chapter for him as well: He and husband David Miller welcomed son ­Logan a few months before shooting on Heart began. “My stuff before has been controversial because it is baroque,” Murphy admits. “My stuff is heightened. This was never heightened. I think it’s the first real straightforward drama I’ve done.”

For more on The Normal Heart, pick up the latest issue of Entertainment Weekly, on stands Friday.

The Normal Heart
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