Dance music legend Giorgio Moroder has spent the better part of 2013 looking back. He explored his own biography with the help of some French robots on Daft Punk’s “Giorgio By Moroder,” from the Grammy-nominated Random Access Memories, and remixed Donna Summer’s “Love To Love You Baby” (a song he initially built in 1975) for an album commemorating the late disco diva.
Now he’s remixed himself once again, this time taking the digital scalpel to “Tony’s Theme,” from one of Moroder’s finest film scores: Scarface, which hit theaters exactly 30 years ago today.
In a conversation today with EW, Moroder remembere getting the call from director Brian De Palma about the project and creating the now-legendary score for Al Pacino’s Tony Montana, one of cinema’s most iconic gangsters. “I wanted something a little bit mysterious, because this character is very complex and kind of mysterious coming from Cuba,” Moroder recalls.
“I wanted it to have a little bit of a classical feel in the sequence of the chords. The idea came from a German half-classical singer called Klaus Nomi. He had one song where he did a very high voice, a staccato, a little bit like Laurie Anderson on ‘O Superman.’ Those two songs kind of inspired me, so I came up with the chords and then brought in the big choir and strings and all the rest.”
The new remix of “Tony’s Theme” is more of a complete reinvention — Moroder did not use any of the original tracks to construct the new song. That points to the tune’s versatility. “It works quite well with a big orchestra, and it works quite well with just a piano,” he said. “There’s one section [in the movie] when Tony kills someone, and there I played kind of soft; I think it’s just a bass line. So it works well both big and small.”
Check out the exclusive premiere of Moroder’s new remix of “Tony’s Theme” below.
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