Saluting the off-screen heroes whose contributions make the award contenders golden

By EW Staff
February 24, 2012 at 05:00 AM EST

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‘The Artist’ screenplay: Three sample pages
Wonder what a script looks like when there’s no dialogue? How a movie tells a story without saying a word.

‘Harry Potter’ makeup effects: Old tricks
Makeup effects designer Nick Dudman talks about the film’s most challenging scene, and why they had to do it twice

‘Rise of the Planet of the Apes’ effects: How Serkis became Caesar
How actor Andy Serkis and the visual effects team at Weta Digital created summer 2011?s most unexpected hero

‘Iron Lady’ makeup: How Meryl became Margaret
Mark Coulier, a co-nominee for his work on the film, explains: ”It was a really, really close collaboration”

‘Rise of the Planet of the Apes’: Effects… and affection
Director Rupert Wyatt and star James Franco talk about the heart of film’s story in behind-the-scenes clip

‘The Artist’ sets: Evoking the 1920s in the 2010s
Oscar-nominated production designer Laurence Bennett annotates pics of a ”Kinograph Studios” room and La Reina Theater exterior

‘The Artist’ costumes: How do they look in color?
Oscar-nominated designer Mark Bridges explains the challenges of outfitting the actors in ’20s garb; see sketches

‘Hugo’ art direction: One master channels another
How legendary production designer Dante Ferretti re-created the fantastical dreamscapes of Georges Melies

‘The Help’ casting: How three nominees landed roles
Kerry Barden and Paul Schnee describe how they struck gold in finding their Aibileen, Minny, and Celia

‘Real Steel’ effects: Atom-ic power
Visual effects supervisor Erik Nash, nominated for his work on the movie, on how robots became kings of the ring

Watch director Michael Bay and producer James Cameron discuss their ”toy” in a behind-the-scenes clip

‘Dragon Tattoo’ opening credits: ‘Let’s do it all blacker’ Tim Miller, Creative Director of the Blur design studio, takes us inside the process for that memorable title sequence

‘Moneyball’ screenplay: Words with power
It all starts with a script: See a page from Aaron Sorkin and Steve Zaillain’s nominated work

‘Midnight in Paris’ art direction: City of delight
Woody Allen’s film banks on its romantic scenery and mood; production designer Anne Seibel takes us inside her process

Visual Effects Consultant Douglas Trumbull talks film’s treats for the eyes in behind-the-scenes clip

‘Real Steel’ effects: Building the robots Director Shawn Levy shares some insights on his film’s Oscar-nominated visual effects in behind-the-scenes clip

‘Jane Eyre’ costumes: Michael Fassbender in style In a year all about getting the rising star naked, Oscar-nominated Michael O’Connor impressed by getting him dressed

‘Harry Potter’ effects: Pulling off the Gringotts heist
Inside a crucial scene, part of ”Deathly Hallows — Part 2” bid for Visual Effects, Art Direction, and Makeup awards