By Jeff Jensen
Updated May 11, 2010 at 04:24 PM EDT


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Image Credit: Mario Perez/ABCWhen I interviewed executive producers Carlton Cuse and Damon Lindelof for this week’s cover story about the end of Lost, they told me that the season was designed to have two episodes largely devoted to Island mythology. The first was “Ab Aeterno,” which told us how Richard Alpert came to the Island and how he became Jacob’s ageless servant. It also gave us a metaphorical understanding of the Island (think: a cork in a bottle preventing evil from spilling out) and offered a dramatic case study of the contentious feud between Jacob and the Man In Black. “Ab Aeterno” was absolutely awesome and currently stands tied with “Happily Ever After” as my favorite episode of season 6.

So when are we getting that second monumentally meaty mythological affair? How about … tonight! The episode is called “Across The Sea,” and by all accounts, we’ll be seeing the origins of Jacob and the Man In Black. Will we also learn the secret of the Jacob-looking ghost boy that’s been stalking MIB’s current incarnation, Fake Locke? Will we learn something about The Monster’s allegedly unstable mother? Will we learn how this wretched, dark hearted Sayid-/Jin-/Sun-killing knave became an ambulatory coil of nebulous metamorphic haze? Judging from these sneak peek clips provided by ABC, the answer to all those questions appears to be … maybe! (Don’t watch these things if you regret being tampered with de-contextualized tidbits of inside information. I peeked — and I regret that I did. But who I am to deny you the freedom and opportunity to stick a needle into your head and shoot spoiler junk into your brain? Knock yourself out … suckers!)

As it happens, the very first theory I ever wrote about Lost tackled the question “What is the smoke monster?” We published it during season 2, right after the episode “The 23rd Psalm,” in which Mr. Eko came face-to-smoke face with “Puffy,” as Terry O’Quinn likes to call him. Likening Smokey to morphing, mind-reading aliens of James Cameron’s The Abyss, I wrote:

I’d like to think my theory was correct at least in identifying some essential thematic ideas about Smokey … but on the whole, based on what we’ve learned since season 2, my first Lost theory stands revealed as a colossal bust — the first in a looooooooong series. Still, like all my theories, it was fun to put together. And by the way? I’m glad I wasn’t right. Strange, huh? In the early days of theory-making, I think I watched Lost the way people watch horse racing: with a bet slip in their hand and outrageous emotional investment. I wanted my ponies to win, dammit! But very quickly, that desire to be “right” evaporated. I remained driven to “solve” Lost — but I was more hooked on the nutty intellectual thrill of the hunt. I loved how a peculiar word in the script or a conspicuous literary reference could inspire a trip down the rabbit hole of research and free association — and by that, I mean Wikipedia. (Seriously, if I didn’t know better, I would think Wikipedia was invented to service Lost theorizing.) Being wrong has never bummed me out — it has only provided new opportunities to learn new things. And along the way, I learned to love Lost for the story it was telling — and for inspiring my own Sideways world of intellectual edification and pseudo-intellectual tomfoolery. People often ask me: “What are you going to do with yourself when Lost is over?” Honestly, I’m still figuring it out. But I am taken with notion that perhaps Doc Jensen should go legit by … going back to school. Yep: I’m thinking that the future of Doc Jensen … is to become something like Dr. Linus. To be continued …


Grieving Jin and Sun (and Sayid, kinda): The Latest In A Series

One week after the bloodbath inside Watership Downer, the leaking waterworks of Lost fandom have not yet dammed up. I’m still getting dozens of e-mails each day full of anguish and blubber over the shocking obliteration of self-sacrificing Sayid and the sad (and controversial) orphaning of what’s-her-name via the drowning of the Kwon marital unit. (And cue the sad tinkling of Michael Giacchino’s poignant score. Every time I think back on Jin-and-Sun’s tragic GLUG! GLUG! GLUG!, I hear that music, too.) (And could I be any more disrespectful with my cruel prose?) (Yes, I could.) Last week, I made a mean observation about the last shot Lost gave us of Jin and Sun — that brief beat of their joined hands drifting apart. I found ironic and heartbreaking that the lovers should exit Lost on a note of separation, not unity. Well, reader Sarah Buch took umbrage with my pitiless prose and romantically challenged soul. She writes:

Sarah, all I can really say in response to that is … okay!

Of course, other people express grief in other ways. For example, some people question the goodness and authority of God … or at least, TV showrunners. Karen Post is one such freaked-out, faith-rocked Lost fan. She writes:

Karen, many fans share your Sideways anxiety. And I’ve been doing a lot of thinking about it in recent weeks, as I’ve been considering the larger matter of Lost’s lasting impact on our collective imagination and on the medium of television. I find it kind of ironic that a story that is so meaningful to so many people, and a show that is credited with changing television should roll the dice on a conceit that risks subverting that story and negating the show’s accomplishments. Ironic — and perhaps instructive. Think about that one for a second. Here we are as fans worried about the integrity of our

Lost experience and worried that the show is going to render our investment meaningless … and here we have story that threatens the integrity of reality and threatens the redemption arcs of Jack, Sawyer, Kate, and all their castaway friends. Here we are protesting a storyline that could erase all of Lost history, making the past six years meaningless … just as the Sideways characters are recalling their Island history and realizing their lives have greater meaning than they realized. Here we are as a culture, mulling the legacy of Lost … and here we have a show whose final season stands revealed as a deep and clever rumination on the themes of continuity and discontinuity, meaning and meaninglessness, of legacy itself. In other words: The meta-tensions about the show mirror the dramatic tensions within the show. Put another way: Now more than ever, we are the castaways.

Coincidence? I’m thinking not. Actually, I think Michael Emerson put it best. Last month, when I visited the set of Lost, I talked with the actor about this very issue. I brought up the topic because I knew from having interviewed him last October that he himself was struggling to make sense of the Sideways world storyline. I wanted to know how he felt about the whole thing now that he had finished his work on the series and seen the greater whole. Our conversation culminated with Emerson offering the following insight: “So often with [our writers], what we think is ‘the problem’ of the season is their formula. We should always remember that. Lost is the most relativistic show ever. The thing you’re complaining about may actually be the point.”

I’m taking Emerson’s counsel to heart — and certainly keeping it in mind — as we enter the final four hours on the season.

There’s more Lost stuff coming from us throughout the day here at We’ll have a new episode of “Totally Lost” posting soon. And I’ll be posting an “instant reaction” to “Across The Sea” soon after the episode airs. Tomorrow: a full recap. In the meantime, here’s some Lost amusement for you. The funny folks at have posted a series of short-and-clever spoofy clips imagining how Lost might end. They are performed by a Web sketch comedy troupe known as Team Tiger Awesome. Caution! If you’ve never seen Rocky III or the original Planet of the Apes or are unfamiliar with their classic endings, consider this your Spoiler Warning.


Doc Jensen

Update: Totally Lost is live (below)!

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