By Chris Willman
Updated November 11, 2007 at 05:00 AM EST
Everett Collection

The Two Jakes

  • Movie

If Raymond Chandler had ever been possessed by Shakespeare?s ghost, the result might?ve been something like Chinatown, as perfect a movie as any ever made. It?s probably the only detective tale that?s also a tragedy for the ages — and it might have been only a nifty neo-noir, if not for the occasionally dissonant sensibilities of writer Robert Towne and director Roman Polanski,recalled in an hour of new featurettes here. The plot twists ultimately hinge on the trust — or lack thereof — between cocky PI Jake Gittes (Nicholson) and his vulnerable client (Faye Dunaway). Polanski says Towne didn?t want the two to sleep together?which Towne denies. But all agree that Polanski — begrudgingly working in L.A. for the first time since the 1969 murder of his wife, Sharon Tate — insisted on twisting Towne?s less fatalistic original finale into one of filmdom?s most profoundly unhappy endings. Amazingly, the 1974 masses didn?t mind: The convolutions, wisecracks, and evocation of a golden ?30s L.A. represented the most pleasurable trip to hell audiences ever had.

When a Towne-scripted, Nicholson directed sequel, The Two Jakes, appeared 16 years later, cinephiles and critics muttered, ?Forget it, Jake — it?s not Chinatown.? Its tortured history of false starts and infighting is only glancingly alluded to in this disc?s 18-minute supplement, where sole interviewee Nicholson remains proud of his directorial effort — not unreasonably. Jakes is often cited alongside Godfather Part III as a warning against returning to a classic too belatedly, and Towne?s story — revolving around a seemingly murderous thug (Harvey Keitel) and his mysterious wife (an insufficiently enigmatic Meg Tilly) — could have used Polanski, again, to find a way to make the stakes devastatingly personal for Jake. But for everything that?s wrong, other things go deliciously right: Vilmos Zsigmond?s period photography; multiple earthquakes that only an L.A.-phile like Nicholson could have nailed; a weirdly funny tryst between a freshly pummeled Jack and a voracious Madeleine Stowe. You can complain that Jakes devalues an iconic original, but some of us will trade that for the privilege of spending another 2 1?4 hours in such a lovingly re-created lost world. Chinatown: A Jakes: B

The Two Jakes

  • Movie
  • R
  • 138 minutes
  • Jack Nicholson