By Michael Slezak
Updated September 21, 2007 at 09:06 PM EDT
Abbot Genser

I just finished re-reading Lisa Schwarzbaum’s C+ reviewof The Brave One, and 90 percent of me couldn’t agree with her more — from herpraise of Nicky Katt’s “invigorating” supporting work as “thecity’s only reliably contemporary, unanguished cop” to her complaint that”there’s a progressively alienating deficiency of logic in the provocativeenterprise, a diminishing return as the subsequent kills pile up.” Andyet…well, I don’t want to spoil anything for those of you who haven’t seem themovie yet, so let’s continue this conversation after the jump.

addCredit(” Abbot Genser”)

So as much as The Brave One didn’t meet my Oscar-baitexpectations, I have to admit: I kind of loved the movie’s completely ludicrousending. When Terrence Howard’s straight-laced Det. Mercer hands over the gun toFoster’s character, and then watches as she screeches at the vicious thug onthe floor to “shut the f*** up” before blowing his face off, I experienced a surprising wave of delight.Maybe because, at that point, the movie had devolved into pure vigilantefantasy, and was merely reaching its natural conclusion. I mean, I don’t pauseto worry about the moral implications of what’s happening on the screen whenArnie mows down a row of baddies in Commando, so why can’t Jodie Foster get thesame free pass? I’m just wondering if anyone else had a similar reaction, or ifyou couldn’t suspend your disbelief enough to buy The Brave One‘s thoroughlyimplausible conclusion. Holla!