By EW Staff
Updated February 27, 2007 at 12:00 PM EST

Have you heard? NBC is pinning its hopes on this new lofty, ambitious show created by a Hollywood Golden Boy. They’ve been hyping it with millions of commercials and previews (to the point of irritating saturation), all of which promise that the show will bring intellectual, gritty topics back to television. To prove this is indeed a Serious Television Show, most of its scenes will be shot in deep shadow and sepia tones. And of course, NBC is hoping — praying — that this new show will pull the network out of the ratings doldrums.

Sound familiar? Whether you’re hearing this story in the present tense or if it takes you back to warmer days in early September, the parallels between new show The Black Donnellys and Studio 60 on the Sunset Strip seem uncanny. Both have big-name creators (Paul Haggis and Aaron Sorkin, respectively), both address serious topics (violence and religion), and both share a timeslot: Mondays at 10 p.m. (The Black Donnellys began squatting in Sorkin’s timeslot last night, bumping Studio 60 into the bleak land of “indefinite hiatus.”)

Since further comparisons between the two are inevitable, how do the pilots match up head-to-head? Let us compare and contrast:

The Dramatic Premise
A prominent TV producer has an on-air breakdown at Studio 60,and executive Jordan (Amanda Peet) calls in former-employees-with-questionable-pasts Matt (Matthew Perry) and Danny (Bradley Whitford) to save the day. Can they assemble a dream team to rescue their sketch-comedy show? Meanwhile, on Donnellys, Tommy Donnelly (Jonathan Tucker) desperately tries to keep his crime-loving brothersin check. By the end of the first episode, he’s seen one brotherhospitalized, another arrested, and his dreams of a cleaner, better life go down the tube as hewalks into an Italian mob stronghold and shoots five of its members,point-blank. Somehow saving SNL doesn’t seem nearly as important —nor does it involve gunplay.
Winner: The Black Donnellys

The Setting
The Donnelly boys were born and raised in NYC’s Hell’s Kitchen, wherepubs are abundant and territories are clearly marked and defended. Studio 60‘sdrama takes place inside a historic theater on a ritzy Hollywood street. Cheer up, gloomy comedy folk — it’s (probably) sunny outside!
Winner: The Black Donnellys

Character Introduction
Studio 60 introduced stars Matt, Danny, and Jordan using handylittle title cards that stated who we were about to meet next. Though thecards were convienent and probably should be considered cheating, afterfive minutes of Donnellys, I was confused as to who was who and howthey were all related — blame it way-too-quick introductions and thestereotypical Irish/Italian/New York way of having all names end in”-y” (it seems like there’s a Tommy, Jenny, Joey, Danny, Pauly, Petey,Jimmy, Billy, Bobby, Scotty, Biscotty, and Sneezy in everyneighborhood.)
Winner: Studio 60

The Love Interest
On Studio 60,Matt pines over his ex — good-girl, God-fearing sketch comic Harriet Hayes (SarahPaulson) — and the two banter like there’s no tomorrow (indeed, watching them go at it really does feel like an eternity). ThoughTommy’s childhood friend Jenny (Olivia Wilde) is married, she doesn’tknow that her husband is dead — yet she proclaims her love for Tommyanyway. Pretty badass. Plus, Wilde gets automatic career brownie pointsfor playing a bi-curious bartender in the most ridiculous of OC plots.
Winner: Wilde and The Black Donnellys

The Guy Love
Studio 60‘s Matt and Danny have stuck by each other through thickand thin, including their firings and drug addiction, and the guy loveis palpable; Danny often hides information from Matt to avoid hurting him.The Donnelly boys, though related, don’t seem to interact much outsidefighting, beating on each other, and hiding information to avoid morefighting and beating. And is it me, or is Tommy’s nearly-blind loyaltynot “love” so much as some other emotion that borders on idiotic? They say blood isthicker than water, but thanks to Perry and Whitford’s actingchemistry, Matt and Danny are the more touching team.
Winner: Studio 60

The Moral
Well, we’re not really sure of Studio 60‘s”moral of the story,” as its pilot had about 15 of them mashedtogether (showbiz career desperation + the decline of qualitytelevision + past drug use + The 700 Club = huh?). But since we’repretty sure the Donnelly boys don’t have any morals at all, we’ll giveStudio 60 a special dispensation.
Winner: Studio 60

Tally up the votes, folks, and it leads to… a frustrating tie.

Which is probably logical. Though I loved the Studio 60 pilot, I was frustrated (as many viewers were) by the end of its run — but I’m not quite sure The Black Donnellys is a particularly good replacement. At the very least, Studio 60‘s pilot was better paced and had more memorable characters, though Donnelly‘s plot leads to more drama, as long as the story is told correctly.

So what do you think, PopWatchers? Who wins in the battle of NBC’s 10 p.m. Monday timeslot? Is it too early to tell with one measly Donnellys airing? (The first-night ratings aren’t promising.) Do you already miss Matt and Danny’s male bonding? Andmost importantly, who would win in a barfight, Jenny Reilly or HarrietHayes?