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In Nicole Holofcener’s first film since Walking and Talking, Catherine Keener is like a contempo screw- ball heiress who forgot to take her Prozac. Emily Mortimer, as her actress sibling, makes you see the frailty beneath her diva-ness, and Brenda Blethyn is understated (for once) as the matriarch who undergoes a disastrous experiment in liposuction. This trio is like a looser, funnier version of the family of wrecks in Woody Allen’s Interiors.
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