By Caren Weiner Campbell
Updated January 12, 2001 at 05:00 AM EST

In an attempt to return to his goofy Bananas roots, Allen’s latest celebfest features him as the inept criminal mastermind Ray, who sets out to tunnel into a bank vault, and Ullman as his skeptical wife, Frenchy. But his shticky Honeymooners-meets-Three Stooges concept just comes off as condescending and derivative (even the plot’s ironic twist — that Frenchy makes millions as a cookie magnate — is a retread of last year’s Albert Brooks comedy The Muse). C-

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