By Daniel Okrent
Updated March 10, 2000 at 05:00 AM EST

How Glory Goes

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  • Music
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As on her excellent first album, 1998’s Way Back to Paradise, on How Glory Goes, Audra McDonald boldly introduces a collection of little-known theater songs by contemporary composers. This time she also sanctifies such classic numbers as ”Bill” and ”The Man That Got Away” with her luminous soprano. Still, the very best number on this wonderful disc may be a breathtaking modern lullaby, never before recorded, called ”I Won’t Mind.” A

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How Glory Goes

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  • Music
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