Critical Mass

Here’s how a sampling of critics and movie audiences from across the country grade 10 current releases.

BULWORTH 20TH CENTURY FOX

C+ CINEMASCORE Audiences across the U.S. B+ ROGER EBERT Siskel & Ebert A- GENE SISKEL Siskel & Ebert B+ JAMI BERNARD Knight-Ridder Syndicate B CARRIE RICKEY Knight-Ridder Syndicate A- MIKE CLARK USA Today C+ ENTERTAINMENT WEEKLY B+ CRITICS’ AVERAGE

DEEP IMPACT PARAMOUNT/DREAMWORKS

B [CINEMASCORE Audiences across the U.S.]C- [ROGER EBERT Siskel & Ebert]B- [GENE SISKEL Siskel & Ebert]B- [JAMI BERNARD Knight-Ridder Syndicate]B- [CARRIE RICKEY Knight-Ridder Syndicate]D [MIKE CLARK USA Today]B- [ENTERTAINMENT WEEKLY]C+ [CRITICS’ AVERAGE]

FEAR AND LOATHING IN LAS VEGAS UNIVERSAL

C+ [CINEMASCORE Audiences across the U.S.]D [ROGER EBERT Siskel & Ebert]B+ [GENE SISKEL Siskel & Ebert]A- [JAMI BERNARD Knight-Ridder Syndicate]C [CARRIE RICKEY Knight-Ridder Syndicate]D [MIKE CLARK USA Today]D+ [ENTERTAINMENT WEEKLY]C [CRITICS’ AVERAGE]

GODZILLA TRISTAR

B- [CINEMASCORE Audiences across the U.S.]D+ [ROGER EBERT Siskel & Ebert]C [GENE SISKEL Siskel & Ebert]D [JAMI BERNARD Knight-Ridder Syndicate]D [CARRIE RICKEY Knight-Ridder Syndicate]D+ [MIKE CLARK USA Today]C+ [ENTERTAINMENT WEEKLY]C- [CRITICS’ AVERAGE]

HOPE FLOATS 20TH CENTURY FOX

B+ [CINEMASCORE Audiences across the U.S.]C+ [ROGER EBERT Siskel & Ebert] — [GENE SISKEL Siskel & Ebert]B- [JAMI BERNARD Knight-Ridder Syndicate] — [CARRIE RICKEY Knight-Ridder Syndicate]D [MIKE CLARK USA Today]C- [ENTERTAINMENT WEEKLY]C [CRITICS’ AVERAGE]

THE HORSE WHISPERER TOUCHSTONE

— [CINEMASCORE Audiences across the U.S.]B [ROGER EBERT Siskel & Ebert]A- [GENE SISKEL Siskel & Ebert]A [JAMI BERNARD Knight-Ridder Syndicate]B- [CARRIE RICKEY Knight-Ridder Syndicate]A- [MIKE CLARK USA Today]B [ENTERTAINMENT WEEKLY]B+ [CRITICS’ AVERAGE]

THE LAST DAYS OF DISCO GRAMERCY

— [CINEMASCORE Audiences across the U.S.]B+ [ROGER EBERT Siskel & Ebert]B [GENE SISKEL Siskel & Ebert]A [JAMI BERNARD Knight-Ridder Syndicate] — [CARRIE RICKEY Knight-Ridder Syndicate]A- [MIKE CLARK USA Today]A- [ENTERTAINMENT WEEKLY]A- [CRITICS’ AVERAGE]

THE OPPOSITE OF SEX SONY PICTURES CLASSICS

— [CINEMASCORE Audiences across the U.S.]B+ [ROGER EBERT Siskel & Ebert] — [GENE SISKEL Siskel & Ebert] — [JAMI BERNARD Knight-Ridder Syndicate]B [CARRIE RICKEY Knight-Ridder Syndicate]D+ [MIKE CLARK USA Today]C- [ENTERTAINMENT WEEKLY]C+ [CRITICS’ AVERAGE]

A PERFECT MURDER WARNER BROS.

— [CINEMASCORE Audiences across the U.S.] — [ROGER EBERT Siskel & Ebert] — [GENE SISKEL Siskel & Ebert]B+ [JAMI BERNARD Knight-Ridder Syndicate] — [CARRIE RICKEY Knight-Ridder Syndicate] — [MIKE CLARK USA Today]B- [ENTERTAINMENT WEEKLY]B [CRITICS’ AVERAGE]

THE TRUMAN SHOW PARAMOUNT

— [CINEMASCORE Audiences across the U.S.]A- [ROGER EBERT Siskel & Ebert]B+ [GENE SISKEL Siskel & Ebert]A [JAMI BERNARD Knight-Ridder Syndicate]A [CARRIE RICKEY Knight-Ridder Syndicate]A- [MIKE CLARK USA Today]A [ENTERTAINMENT WEEKLY]A- [CRITICS’ AVERAGE]

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