The only thing rarer than a decent video-game adaptation of a hit movie is an intentionally funny Sylvester Stallone vehicle, so go figure the odds against a jokey Stallone flick being turned into a great video game. Demolition Man manages not only to retain the sci-fi movie’s offbeat humor (choose the ”easy” option at the start and Sly snarls, ”You suck”), but its seamless mix of shooting, driving, and ghting sequences, woven together by high-resolution cinematic interludes, actually outclasses the source material. A
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