By Linda Sanders
Updated March 06, 1992 at 05:00 AM EST
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Now that the ”Don’t Worry, Be Happy” craze is tucked into the past alongside the pet rock, vocalist Bobby McFerrin seems to be resuscitating his old reputation as a musician’s musician, releasing collaborative albums with cellist Yo-Yo Ma, one of classical music’s biggest names, and pianist Chick Corea, one of jazz’s biggest. As usual with McFerrin, the albums contain moments of real artistry amid long stretches of annoying jive. The Yo-Yo Ma collaboration, Hush, is actively painful, consisting mainly of voice-and-cello versions of stale classics (even ”Flight of the Bumblebee,” for cripe’s sakes), all supposedly made intriguing because McFerrin sings what’s usually played (far better) on an instrument. Most exasperating is that buried somewhere in the middle of Hush is a piece McFerrin wrote called ”Coyote,” a wordless track full of night winds and Navajo-tinged chant — as killingly beautiful as anything you’re apt to hear. But who’s going to wade through the cutesiness to find it? D+

Hush

type
  • Movie
genre
mpaa
runtime
  • 1 minutes
director
  • Jonathan Darby
  • Ryosuke Hashiguchi

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