By Armond White
Updated September 20, 1991 at 04:00 AM EDT
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Queer

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  • Music
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Pop history was supposed to have swallowed up synth-bands like this retrograde duo, but Tom Bailey and Alannah Currie won’t go down. As if the mid-’80s — the period of the Twins’ chart life — never passed, they greet the hard pulse of today’s intense dance-club hits with laid-back defiance. In Queer, their bland ”sonic groove” could be tagged middle-of-the- rut, while the guitar splashes over the skipping bass in ”Come Inside” are fit only for easy shuffling. The Twins are too stiff to pull off something called ”My Funky Valentine”; they’re still wedding arch-rock to a two-step rhythm. The best cuts are toss-offs, ”Shake It Down” and ”Wind It Up,” both bouncy, simple ditties sweetened by Currie’s girl-group-style backing vocals; you could dance to this pair — if you really wanted to. But you’d have to disregard lyrics that fail to balance the outré and the naive (”Strange Jane”) and a murkily mixed title track that makes pretentious use of a verse by British poet Edith Sitwell. Morrissey got more points by putting Dame Edith on a T-shirt. C+

Queer

type
  • Music
genre

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