Ron Batzdorff/NBC
David Canfield
October 17, 2017 AT 10:00 PM EDT

This Is Us

type
TV Show
genre
Drama
run date
09/20/16
performer
Milo Ventimiglia, Mandy Moore, Justin Hartley, Sterling K. Brown
Producer
Dan Fogelman
broadcaster
NBC
seasons
2
Current Status
In Season

We gave it an B+

Two episodes ago, This Is Us dug into the tense dynamic between Rebecca and Kate, scrutinizing their relationship both in the past and the present day. This week in “Still There,” we’re provided with a potent reminder that Rebecca comes from an even more dysfunctional mother-daughter relationship — and it’s one that we get to watch play out at its ugliest.

This week’s foray into the past is framed around the return of Rebecca’s controlling and — to put it mildly — traditional mother, Janet (Elizabeth Perkins). She visits during a snowstorm, after Rebecca lets her know that both young Kate and Kevin have chicken pox, and that Randall — on doctor’s orders — will soon be next. (They’d rushed to a hospital from a video rental store — nostalgia factor! — where Rebecca revealed herself to be a fan of Broadcast News, Patrick Swayze, and John Travolta.)

Janet’s mere arrival throws Rebecca for a loop, from the way she suggests Jack salt their walkway after almost slipping to her shock at the sight of Randall standing shirtless in “the middle of winter.” “I’m not a masochist, Jack,” Rebecca says after her husband asks whether she invited her mother to stay with them. As Rebecca lists the things Janet does to drive her crazy, it’s fascinating how much it aligns with what adult Kate said to Toby a few weeks ago in “A Manny-Splendored Thing” — only, about Rebecca.

The difference, of course, is that Rebecca has three children, and as we see Janet interact with her grandkids, it’s hard not to side with Rebecca. Janet makes Kevin feel like the only thing that matters in the world are his looks. She gives Kate a dress that’s too small, and when Kate indicates the problem, Janet suggests she keep and look at it as a “goal dress.” Most disturbingly, she treats Randall as an other in as many ways as possible: gifting him basketballs because she thinks he’d be a “natural” even though he doesn’t like it; not taking an interest in his hobbies or activities; consistently referring to “the twins and Randall,” as if he’s some separate component in the family.

Rebecca tries not to let it get to her, but by the time Jack also falls ill along with the three kids, she’s overwhelmed. Janet expresses amazement that Randall is the only Pearson kid to get into private school, at which point Rebecca confronts her head on. “Randall tries so hard to get you to like him, and honestly, I’ve always wondered if the reason you never bonded with him is because he was adopted,” she says. “But you’ve made it alarmingly clear that it’s because he’s black.” They fight, and it doesn’t end well — by the time Rebecca’s finished with her, she’s yelling, “You’re a racist, mom!” with Randall quietly listening in from the doorway, more confused than devastated. (Jack and Rebecca later attempt to explain to him that sometimes racism hides behind a smile.)

In the present day, meanwhile, Kevin is still reeling from last week’s on-set injury. His knee looks completely mangled, and when he’s finally convinced to see a doctor after two weeks of trying to “tough it out,” he’s told that he has “a large tear” in his meniscus and will need arthroscopic surgery to make a quick recovery. As he goes under in the operation, he again has visions of his father — this time, cheering on Kevin at a football game. It’s a clear indication, after last episode’s foreboding final image of Kevin downing pills, that his father still haunts him in more ways than one.

Kate and Toby take in Kevin while he heals, and Kevin tells them that he’s staying off painkillers because they “made him fuzzy” after he first sustained the knee injury. He later tells Toby that he can’t let a knee injury blow things up for again — his dreams of becoming a football player were crushed when he first got hurt two decades ago — but we know that the motivation there runs a little deeper. When he’s finally left alone, Kevin watches old tapes that his father made of Kevin playing football as a teenager. “My son is tough — my son is tough as hell,” Jack exclaims. Kevin eventually pauses the tape, leaving an image of Jack beaming with pride at the camera hovering over him on the TV. He heads back for pills. It’s an evocative visual, the sight of Jack — himself an addict — looking over Kevin in such a vulnerable moment. It’s too soon to know where this leads, but it’s safe to say nowhere good.

Randall and Beth, meanwhile, are still struggling to help Deja acclimate to her new environment. At the breakfast table, Tess and Annie recount their dreams while Randall does their hair; he asks Deja if she has any dreams to share and if she’d like him to do her hair, but in both cases she declines. It comes to light that Deja has not washed her hair in weeks, and that Randall’s trying — and failing — to create a safe space for her to feel comfortable doing so. Beth argues they need to have “a real sit-down talk about this.” But Randall pleads he be allowed to take the lead on this one, even if his method of giving her some breathing room hasn’t worked so far. (Recap continues on page 2)

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