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'The Last Man on Earth' recap: 'Screw the Moon'

Tandy’s the last Miller on Earth—but not in the universe.

Posted on

Ray Mickshaw/FOX

The Last Man on Earth

TV Show
Current Status:
In Season
run date:
Will Forte

The last, oh, 30 seconds of this season finale drops a bomb so big that it’s difficult to focus on retelling what happens during the other 29 minutes and 30 seconds of the episode. As Phil—ahem, Tandy—would say, it’s friggin’ huge. But, alas, there’s a lot more to the surprisingly funny and sometimes sweet episode than just a last-minute surprise.

Last week’s episode ended with Tandy and Todd deciding to kill Phil, and they’re still planning on that this week—that is, until Tandy messes up and tells Todd his plan: They’ll drive Phil to the desert and leave him out there. It sounds fine until Todd realizes that Tandy once drove him to the desert. Tandy, smooth as ever.

Todd’s now furious with Tandy, so he’s all alone in his quest to destroy Phil. So his next stop is Carol. He presents an empty condom wrapper to her, and she confirms that she and Phil did have sex. Tandy, like the rest of us, is wondering why Carol had sex with Phil sans ring but she insisted on marriage before getting it on with him. “It’s called casual sex, Tandy. Geez,” she explains. “Haven’t you ever wanted to have sex just for fun?”

This is funny, because, duh, all Tandy wants is to have sex for fun, As he replies, “That’s my whole thing!” But it also makes very little sense. She says that she had to marry Tandy before they got in bed because they were setting out to have babies, whereas she’s just doing it for pleasure with Phil. Maybe this is just a comment on how the dreaminess of Phil can make even the strictest of personal boundaries disappear?

After this uncomfortable conversation, Tandy goes home to find Phil packing up his belongings. Turns out he heard Tandy talk s— about him and is now getting his own place. Why he didn’t just get his own place in the first place, I don’t know. But this provides an opportunity for the two to confront each other—and for Phil to point out that he thinks this is all about Carol. Tandy insists it’s not. Tandy is a bad liar.

He goes to the bar to talk it over with his balls, and realizes that, oh yeah, he wants Carol back. So he brings a bouquet of flowers and a sack (yes, a sack) full of jewelry to her house, but she’s unimpressed. In an attempt to save the situation, Tandy says he also wrote her a song. “It’s called ‘Carol,'” he says, “So that’s proof.” Sadly though, Phil comes to the door and interrupts before Tandy has a chance to perform the probably not-yet-written song.

Later on, Phil announces that he’s been working on installing solar panels and has enough power so far to light a lamp. He unveils this development by the fire, and everyone is overwhelmed with excitement—everyone except Tandy, who feigns enthusiasm before knocking over the lamp and breaking it. Tandy’s unwavering immaturity has been getting a bit grating as the season’s worn on, but this gag works because of how childish it is. 

And just as a child will get time-out for doing something naughty, Tandy gets his own punishment: Phil orders that Tandy leave Tucson. Tandy doesn’t want to leave though, so he locks himself in a room before anyone can get to him. What about food, Tandy!? What about water!?

After three days in the dark room, he’s getting desperate. He’s eating chunks of toilet paper and pretending it’s a corn dog; he’s noshing on toothpaste. It’s sad. Real sad. But it’s also a return to the first episode, when it was just Tandy and a house full of junk. In that way, it’s refreshing to see him return to his original state. Tandy’s gotten so unlikable over the show’s course that it’s hard to feel sympathy for him—and that’s okay, but it’s also difficult to stay attached to a character who you don’t feel any sympathy for. Watching him shunned from the rest of the humans and subsisting on Charmin makes staying attached just a bit easier.

Carol, who’s worried about Tandy, eventually convinces him to come down to the fire. They’re ready to make a truce. After some resistance, he obliges and arrives outside to find everyone, sans Phil, serenading him with a slightly creepy, slightly sentimental rendition of John Denver’s “Leaving on a Jet Plane.” Slightly creepy because they’re all—even Melissa!—smiling at him as they sing. Slightly sentimental because of how welcoming they seem.

NEXT: Tandy’s in trouble