“Whatever kind of family you have, reality is relative. Normal is just the middle of the mess.” This quote from Monroe tonight was the underlying theme throughout the entire episode, and it couldn’t be more true. We begin learning that Nick has sold his home, and he and Adalind are packing up the last boxes left to move. Nick gets nostalgic, telling Adalind that when he bought the home more than six years ago, he had no idea he was a grimm. He also shares with Adalind that she was “his first,” meaning the first wesen he ever saw. She shares that he, too, was her first — her first grimm she ever came across.
What exactly is going on, here? I’m starting to get romantic vibes from Adalind, but it could just be her need for security of her and Kelly. Nick is still wrestling with the loss of Juliette and becoming a dad, and it’s clear he’s just trying to do right by his son Kelly and his baby momma. Regardless, they are starting to form their own little family, and it’s exactly what Nick needs right now in order to move on from all of the death he’s had to deal with.
Nick takes her to their new home, an old paint factory in the middle of nowhere. He had all of the movers put his things in storage, so not even they have a trail to where he, Adalind, and Kelly are shacking up. The setup isn’t bad, it just needs a little love and a trip to West Elm. Nick even gives Adalind Juliette’s old car, which is kind of weird, but it’s definitely not the oddest thing to happen in their little family (imagine the day they have to tell Kelly how they met.)
The crime this episode weaves into the theme of family as well, with four wesen kids living in the woods. The kids have kidnapped a random woman to be their “mother,” and she has escaped, running barefoot in hopes of finding safety. She frantically falls down a hill and bumps her head so hard that it kills her. The kids leave her body (not before cutting off a lock of her hair — now that’s weird), and rush into the woods before a car pulls up. The man that finds the body calls the police, and the Scooby Gang is brought in. Wu identifies the woman as a missing person first reported two years prior.
Nick and Hank get on the case and see on surveillance cameras that a young girl — one of the four wesen children — approached the woman in a parking lot, appearing to be lost. The woman walked the little girl away from her car and never returned. The kids obviously would woge and scare the woman into trying not to escape, hence why she was so terrified when running away.
Back in the woods, one of the four children, the little girl who is named Lily, has a terrible cough and needs some real medicine. The two older boys, Peter and “Big John,” head into the Spice Shop to avoid security in other drug stores and try to steal some healing herbs from Rosalee. Peter woges, but of course Rosalee just flips back her hair and takes him down completely unfazed. Peter genuinely confesses that the medicine is for his sick sister and has no money. Rosalee lets him take the medicine, and he runs out of the shop just as Monroe arrives. Monroe is baffled that Rosalee would just let him leave, but that is why he loves his wife — she’s a fierce and tough woman, but she’s also compassionate.
The boys talk about how nice Rosalee was, confirming that she is their next target for a “mother.” They head back to the shop and use Lily as bait, distracting Rosalee — who is now alone in the shop — so Peter and Big John can knock her out. Fortunately, Rosalee was on the phone with Monroe, and he hears her being kidnapped and rushes to the Spice Shop, just missing them. He of course calls Hank and Nick to tell them what happened, and while they’re reviewing the street cameras Nick notices something familiar about a truck — it’s the same one from the camera footage of the case they’re working on. Putting two and two together, the gang realizes that the cases are connected and the people responsible for the death of the woman in their case are the same people who kidnapped Rosalee.
Monroe goes into full Blutbad mode and grabs the scent of the previous “mother” at the morgue, and the gang takes off on a rescue mission. Meanwhile, Rosalee is tied up in the back of the truck and wakes up from being drugged. She tells the kids that it is wrong what they are doing, but they just threaten her if she doesn’t play house with them. The whole time I’m wondering why Rosalee doesn’t just woge and blow past them all to escape, but it’s her compassion that stalls her from leaving. She knows they won’t (or can’t) hurt her, and she wants to both help them and escape.
NEXT: Nobody messes with a Fuchsbau.