Entertainment Weekly

Subscribe

Stay Connected

Subscribe

Advertise With Us

Learn More

Skip to content

Article

American Idol recap: To Live and Die in Hollywood

The new format of Hollywood Week eliminates the group bickering and refocuses the attention on singing and the drama of auditions

Posted on

American Idol

type:
TV Show
Current Status:
In Season
seasons:
15
performer:
Harry Connick Jr., Jennifer Lopez, Keith Urban, Ryan Seacrest
broadcaster:
Fox
genre:
Reality TV

Simon Cowell delivers hundreds of pithy one-liners over the course of an American Idol season — ”You have the stage presence of a flea” has officially joined his repertoire of classics — but one comment in particular tonight perfectly summed up the Hollywood Week proceedings:

”This stage makes you or breaks you.”

And that’s one of two reasons why Idol fans hold Hollywood Week in such high regard (the other being that at two episodes long, it’s the much-needed Pepto-Bismol after a beastly smorgasbord of audition rounds). Indeed, it’s one thing for the Alesha Stelzls and Ghaleb Emachahs of the world to stand in a hotel conference room and convince two out of three Idol judges that they sound like the respective second comings of Dolly Parton and Antonio Banderas as Puss in Boots. It’s quite another for them to test their middling voices against a small army of powerhouse vocalists, a dozen or two of whom proved tonight that they might just be good enough to inherit the crown that’s made household names out of Fantasia Barrino, Kelly Clarkson, and Carrie Underwood.

Seriously, I can’t remember a Hollywood Week episode that showcased quite as much talent as we saw tonight, and Idol‘s producers deserve a round of applause for nixing the fight-provoking group auditions and realizing all we want to do is watch singers step out from behind the wings, one at a time, to either deliver the goods or collapse under the weight of the judges’ expectations. Or to put it another way, who needs a five-minute package about the bratty teenager who refuses to learn the dance steps to ”Sugar Pie Honey Bunch” when there are 164 performers giving the most important auditions of their lives? It doesn’t take TNT to know that’s drama!

And while Nigel Lythgoe & Co. unsurprisingly used the bulk of tonight’s two hours to pimp their preordained favorites — congratulations to David Archuleta, Carly Smithson, and Michael Johns on hitting the season 7 jackpot! — I was stoked to see two additional front-runners emerge.

First and foremost was David Hernandez, recipient of Simon’s aforementioned ”makes you or breaks you” comment after a pitch-perfect rendition of ”Love the One You’re With.” I loved the way David seamlessly transitioned from the slowed-down opening notes to a surprisingly groovy mid-tempo midsection without abusing the melody. And his post-audition freestyle — ”I’m here until Thursday/What you gotta say?” — proved he’s got humor, and possibly some not-terrible dance moves, in his corner.

Similarly, Asia’h Epperson trotted out a secret weapon of her own (abs of steel!) during her fearsome rendering of ”I’m Goin’ Down.” I’ll admit, I didn’t adore Asia’h’s ”How Do I Live” last week (performed only 48 hours after her father’s death, in her defense), but I nodded along in agreement tonight when Simon declared, ”I lllloved that!” and sent Asia’h and her abdominals to the top 50.

And even though it’s in my genetic code to resist wide-grinning teenage-boy contestants on Idol — have we learned nothing from John Stevens, Will Makar, and Sanjaya Malakar? — I swear my glass of Shiraz tasted an awful lot like the producers’ Kool-Aid in the middle of David Archuleta’s interview package. Granted, he gets 10 points deducted for choosing Bryan Adams’ ”Heaven.” (Don’t try to defend a 16-year-old delivering lines like ”thinkin’ about our younger years.” Like when? Pre-K?) But his voice was so clear and pure that I could totally understand why the backup singer on the left of the screen wiped a tear from her eye during his performance. Prep yourself for a long season of Paula bon mots like ”You’re a gem for the whole world to see,” because caucus-primary season for the all-important Grandma-Tweener Party is almost over.

The good news is that plenty of other voter blocs are being accounted for, too. Rocker types can rally behind either Amanda Overmyer, whose fresh cover of the Doors’ ”Light My Fire” made me want to smoke a pack of Marlboro Reds to momentarily achieve the delicious rasp she brought to her performance, and David Cook, who may have fallen flat on a couple notes of ”(Everything I Do) I Do It for You” but gets credit for not making me hate the song as much as I normally would.

Side note: I now interrupt this TV Watch for a burning question: Were the producers handing out blueberry popsicles backstage at the theater? Because when David and Carly Smithson took the stage, their tongues were the most alarming shades of aquamarine.

Poor Carly completed her alarming look with a yellow eye shadow — actually, let’s hope it was eye shadow and not tattooed eyelids — that left her looking positively jaundiced. I wonder how much more I would’ve enjoyed her slow, soulful rendition of ”Alone” — which was, to my ear, far less karaoke than previous Idol renditions by Carrie Underwood and Gina Glocksen — if I hadn’t been worried Carly was suffering some kind of liver infection.

NEXT: Potential disasters ahead!