Last month Olympia, Washington weirdos Naomi Punk released Television Man, 10 tracks of jagged postpunk, Pacific Northwest grunge, and art-damaged sonic experimentation that’s as genuinely pleasurable as it is challenging. The title track is also maybe the album’s best, a hypnotic, mathy prog-punk anthem with touches of krautrock drive and almost New Age-y prismatic psychedelia.
The kaleidoscopic video for “Television Man” takes a slightly literal approach to visualizing the song with degraded videotape of flexing bodybuilders, but blasts the images into abstraction through repetition and reflection. “Basically,” writes director Robin Stein, “it came from an initial interest in using mirrors as an analog effect for manipulating video imagery. Beyond the initial visual treatment—inspired by imagery of 1970s body-building and the Philip Lorca Dicorcia photography series ‘Lucky 13’—I was looking at how the contours of extreme musculature could become an abstract and dark visual medium.”