Two-time Oscar nominee Bradley Cooper announced this week (in an EW exclusive) that he’ll be returning to Broadway this fall to star in a revival of The Elephant Man opposite Patricia Clarkson and Alessandro Nivola. (Yes, it sounds like a stretch for People‘s former Sexiest Man Alive — especially since Bernard Pomerance’s play does not require any prosthetics for the title role.) The David Byrne-Fatboy Slim musical Here Lies Love, which made EW’s Top 10 list last year, will return to the Public Theater in March for an open-ended run. And there were a handful of notable openings on both coasts, including the Broadway debut of Will & Grace star Debra Messing. For full reviews, click on the links below.
Outside Mullingar The new romantic comedy by John Patrick Shanley (Moonstruck, Doubt) stars Brían F. O’Byrne and Debra Messing as middle-aged loners living side by side on Irish farms but struggling to connect with each other. I found it to be a “sweet but peculiar” play that’s “wispier than the smoke from a peat bog.” How does Messing fare? “Though she seems ill at ease through the first half of the show, too aware of the audience and of the effort to keep up her accent, she settles in toward the end when she’s able to deploy her gifts for physical comedy.” EW grade: B
A Word or Two Christopher Plummer’s one-man show in L.A., first performed at the Stratford festival in his native Canada, is less a staged memoir than a reflection on life incorporating influential texts from Lewis Carroll to the Bard. As EW’s Jake Perlman writes, “His commanding stage presence makes you want to watch. But in A Word or Two, he also makes you want to listen.” EW grade: A
The Loneliness of the Long Distance Runner In a new stage adaptation of Alan Sillitoe’s 1959 short story at the Off Broadway Atlantic Theater Company, Sheldon Best plays a 17-year-old at a youth correctional facility who has a mixed response to his innate athletic skills. “While moving and at times inventive as a showcase for Best’s athletic charisma,” Stephan Lee writes, the play “doesn’t inject enough new energy into the tired tropes.” EW grade: B