Bestselling fiction hits theaters
The Diving Bell and the Butterfly
Jean-Dominique Bauby (paperback)
The late editor of French Elle wrote his remarkable ’97 memoir, which describes being paralyzed by ”locked-in syndrome,” by blinking his left eyelid. Director Julian Schnabel’s film translates Bauby’s rich language into bold visuals; we even watch the hero’s right eye get sewn shut from his perspective.
Though the movie is masterful, nothing can top the book’s poetic beauty. — Missy Schwartz
The Golden Compass
Philip Pullman (paperback)
Adapting the first book in Pullman’s trilogy about 12-year-old Lyra and her magic alethiometer, auteur Chris Weitz downplays the Magisterium’s religious nature and leaves out the gore: Ice bear Iorek’s battle drops the heart-eating ritual; the truncated ending also omits Lord Asriel’s sacrifice of Lyra’s best pal, Roger.
Not surprisingly, Weitz softens the book’s religious, violent elements to create family-friendlier fare. — Youyoung Lee
The Kite Runner
Khaled Hossenini (paperback)
Screenwriter David Benioff’s adaptation skims past much of the final Chapters — e.g., Amir struggling to adopt his orphaned nephew — but the film remains very faithful to Hosseini’s best-seller. It even lifts the majority of its dialogue directly from the novel.
The film’s stunning cinematography may enhance your understanding of a war-torn Afghanistan, but it’s impossible to match the novel’s emotional power. — Kate Ward
Ian McEwan (paperback)
McEwan’s 2002 best-seller about the lifelong consequences of a young girl’s lie is transported nearly scene by scene to the big screen, with only a few tweaks to tighten the dramatic structure.
Both book and movie pack an emotional punch, but director Joe Wright’s sweeping adaptation struggles with its inability to go where the story’s real action takes place: inside the minds of its characters. — Adam Markovitz