Peter Keating
June 11, 2004 AT 04:00 AM EDT

Listen for the Celtic influences that distinguished the Corrs’ early work, and you’ll be disappointed: On Heaven, the quartet has submerged its fiddles beneath producer Olle Romo’s synthesizers. Still, this is quality Europop, with the sunny ”Summer Sunshine” a natural hit and the bleakly sweet ”Time Enough for Tears” (which first appeared in the movie In America) a lovely, if out-of-place, highlight.

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