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BOX OFFICE

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BOX OFFICE

‘DADDY’ DEAREST

Eddie Murphy MAY HAVE trouble handling kids, but he managed to take control of the No. 2 spot with Daddy Day Care, earning $27.6 million in its debut weekend. Murphy hasn’t been that popular since 2000’s Nutty Professor II (which opened at $42.5 mil). But his latest incarnation was no match for the X2 mutants, who held on to their top position. The Fox sequel, on a record number of screens (3,749), has nearly matched its predecessor’s total take ($157.2 mil) in just two weeks. And on a smaller scale, Neil LaBute’s The Shape of Things disappointed with a $4,331 per-screen average, while Christopher Guest’s A Mighty Wind gusted up seven spots in its fourth week.

TOP 20 WEEKEND NO. OF WEEKEND WEEKS GROSS GROSS* SITES[1] PER-SITE IN TO AVERAGE RELEASE DATE

1 X2: X-MEN UNITED 20th Century Fox $40.0 3,749 $10,678 2 $147.7 2 DADDY DAY CARE Columbia $27.6 3,370 $8,197 1 $27.6 3 THE LIZZIE MCGUIRE MOVIE Disney $7.2 2,825 $2,552 2 $26.5 4 IDENTITY Columbia $6.5 2,618 $2,474 3 $39.4 5 ANGER MANAGEMENT Columbia $5.7 2,819 $2,036 5 $123.2 6 HOLES Disney $4.9 2,452 $1,982 4 $51.7 7 A MIGHTY WIND Warner Bros. $3.0 765 $3,927 4 $9.5 8 MALIBU’S MOST WANTED Warner Bros. $2.1 2,008 $1,060 4 $31.7 9 BEND IT LIKE BECKHAM Fox Searchlight $1.7 555 $3,128 9 $13.2 10 CONFIDENCE Lions Gate $1.5 1,188 $1,296 3 $11.1 11 CHICAGO Miramax $1.1 761 $1,459 20 $166.5 12 PHONE BOOTH 20th Century Fox $1.0 785 $1,280 6 $44.0 13 IT RUNS IN THE FAMILY MGM $1.0 1,042 $920 3 $6.7 14 BRINGING DOWN THE HOUSE Touchstone $0.7 778 $948 10 $128.7 15 GHOSTS OF THE ABYSS Disney $0.6 93 $6.696 5 $7.5 16 BULLETPROOF MONK MGM $0.6 944 $641 4 $22.6 17 WHAT A GIRL WANTS Warner Bros. $0.5 925 $565 6 $35.3 18 HOUSE OF 1000 CORPSES Lions Gate $0.5 525 $966 5 $11.6 19 AGENT CODY BANKS MGM $0.4 1,224 $321 9 $47.3 20 THE DANCER UPSTAIRS Fox Searchlight $0.3 62 $4,356 2 $0.4

SOURCE: NIELSEN EDI. WEEKEND OF MAY 9-11 *WEEKEND GROSS AND GROSS-TO-DATE FIGURES IN MILLIONS [1] INCLUDES SOME MULTISCREEN THEATERS AND PRINTS SHIPPED AS WELL AS INDIVIDUAL SCREENS

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